PR Distribution Report [060320253489785551954561788]

v.3.517

TABLE OF CONTENT
1) Table of content
2) Summary
3) Report details
4) Where did we publish on, release via and submit to…
5) Who did we target, where and how…
6) Who did we reach out to…
7) Who engaged…
8) Insights…
9) Extend…
REPORT SUMMARY
Overview:

The press release distribution report details the campaign for La Ballata del Trasimeno: Il Mediometraggio si Trasforma in Mini Serie, which ran from March 6 to March 16, 2025, with a distribution budget of €299. The campaign successfully targeted a specific audience in Italy with interests in entertainment, media, and cultural heritage.

Key Insights:

  • Campaign Duration and Budget: The campaign lasted 11 days, from March 6 to March 16, 2025. The total budget allocated for the distribution was €299, which provided an overall reach of 56,323+ people during the active campaign period.
  • Total Reach: The press release reached 56,323+ people, a combination of generic reach (19,017 people) and targeted reach (37,306 people). The targeted reach was focused on users in Italy, primarily those interested in entertainment, media, society, and cultural heritage, with specific focus on themes related to the Trasimeno region, Lake Trasimeno, and the film industry.
  • Social Media and Platform Engagement: The press release generated a total of 119 tweets/retweets and 8 shares across social media platforms. Additionally, the post garnered 111 likes and 3 reactions on Pinterest. Although the report does not detail the exact number of video views since it was a YouTube video embed, it provides significant insights into user interaction on major social platforms such as Twitter, Facebook, and Pinterest.
  • PR Reads and Interactions: A total of 679 targeted individuals read the press release in its entirety, spending at least 30 seconds engaging with the content. The cost per PR read was €0.44, and the PR title views to reads ratio stood at 1.20%, meaning only a small percentage of those who saw the title went on to read the release. This indicates a relatively low engagement conversion rate from impression to action, suggesting the potential for further optimization in the targeting or messaging strategy.
  • Audience and Targeting: The campaign effectively focused its efforts on internet users in Italy, with a high level of targeting based on interests such as film festivals, local culture, and regional heritage. Entities associated with / related to the release reached included Nexis Productions, Festival del Trasimeno Blues, and Umbria Tourism, among others. These collaborations likely helped in reaching a more niche but relevant audience within the cultural and entertainment sectors.
  • Influencer and High-Profile Reach: The PR message has been delivered to 200+ European influencers, such as high-profile figures in politics, business, finance, among others. Although the PR message itself was not found relevant to those accounts it might have helped to boost visibility within influential circles. The cost per influencer reach was €1.495, which demonstrates the high value of reaching individuals with significant sway on X across Europe.
  • Media Reach: The PR message has been delivered to prominent media outlets, including Arte.it, Flash Art Italia, Exibart, and Rolling Stone Italia, which are known for covering categories like art, culture, and media, further enhancing its credibility and visibility. Additionally, it appeared across search engines (Google, Bing), social media (Facebook, Twitter), and in major content aggregators, further amplifying the reach.
  • Cost Efficiency: The overall cost-efficiency of the campaign was notable. With a cost per PR title view at €0.0053 and cost per follower reach at €0.023, the campaign demonstrated significant value for money in terms of the audience size and engagement achieved with the relatively modest budget.

Observations:

  • The campaign effectively targeted a specific, high-engagement demographic in Italy, focusing on those with a clear interest in cultural heritage, film, and the arts.
  • Engagement rates were low in comparison to the total reach, with just a small fraction of the audience interacting deeply with the content. This could suggest the need for further refinement in the messaging or more compelling calls to action to drive higher engagement rates.
  • The targeted approach was successful in reaching key entities in the entertainment and cultural sectors, indicating that the PR campaign was well-aligned with its objectives of raising awareness for the mini-series.

Overall:

The campaign’s distribution strategy was effective in reaching a large and relevant audience in Italy, particularly those interested in film, culture, and regional heritage. However, engagement rates suggest room for improvement in converting impressions into more substantial interactions. The campaign’s performance, particularly in terms of reach and influencer involvement, aligns with the budget and objectives, while offering insights into potential areas for optimization in future campaigns.

REPORT DETAILS
PR Distribution Report ID: 060320253489785551954561788
PR Distribution Campaign ID: 3489785551954561788
Customer: info@as-capital.com
Email for Contacts: info@as-capital.com
Press Release: La Ballata del Trasimeno: Il Mediometraggio si Trasforma in Mini Serie link opens in a new window
Press Release language: Italian
PR released on: Mar 6, 2025
Report started on: Mar 6, 2025
Report last updated on: Mar 16, 2025*

* Frequent updates on your PR distribution report are only done during the active period of your PR campaign. Further updates on this PR distribution report beyond the PR campaign period may be done on an irregular basis. You’ll be notified via an email if such an update has been made in future on your PR distribution report.
PR campaign duration:
The campaign duration depends on the PR distribution budget.
(Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Is PR campaign active?
The active period of your PR distribution campaign depends on the PR distribution budget.
No. The active period of your PR distribution campaign is over*.

Extend PR campaign & reach?

* Even if the active period of your PR distribution campaign is over, your press release remains alive and is up and running on EuropaWire and all the places it has been published on, released via, submitted to and appeared on. The active period of your PR distribution campaign depends on the PR distribution budget and can be anything between one week and 30+ days if larger PR distribution budgets are used. During the active period of your PR distribution campaign, EuropaWire uses its news-wire platform and market insights to proactively engage in leveraging some of today’s most sophisticated and precise multi-channel targeting options available online to source and reach out to the audience that might be interested in and engage with your PR message based on your targeting preferences. The larger the PR distribution budget the longer both the PR distribution campaign and the observed period covered by your PR distribution report.
PR report observed period:
The observed period for the PR distribution report depends on the PR distribution campaign duration.
(Mar 6, 2025 – Mar 16, 2025 ~ 11 days)*

*The observed period for the PR distribution report is tied up with the PR distribution budget used and covers the active period of your PR distribution campaign. The larger the PR distribution budget the longer both the PR distribution campaign and the observed period covered by your PR distribution report.
Report in progress: No
Report is completed: Yes
PR distribution budget: €299
Total reach: 56,323+ (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Reach level:
Indicates how optimal your reach is versus the average for the PR distribution budget employed.
Reach level~28.8%*

* Please note that while this indicator looks into how your reach performed towards the average for the same PR budget, targeting different countries, markets and audiences usually results in significantly different reach level for PR distribution campaigns with the same PR budgets.
WHERE DID WE PUBLISH…
Your press release has been published on, released via, submitted to, and appeared on EuropaWire, the Internet, Web, Search engines, the Blogosphere, News, News aggregators, Social media, etc.
Site URL
EuropaWire: Press release page:

La Ballata del Trasimeno: Il Mediometraggio si Trasforma in Mini Serie

La Ballata del Trasimeno: Il Mediometraggio si Trasforma in Mini Serie AMP

Categories:

https://europawire.es/markets/entertainment/
https://europawire.es/markets/italy/
https://europawire.es/markets/media/
https://europawire.es/markets/society/

Tags:

https://europawire.es/press-releases-tagged-with/arianna-fiandrini/
https://europawire.es/press-releases-tagged-with/as-capital-inc/
https://europawire.es/press-releases-tagged-with/charles-dalberto/
https://europawire.es/press-releases-tagged-with/culturale-patrimonio/
https://europawire.es/press-releases-tagged-with/film-festival/
https://europawire.es/press-releases-tagged-with/il-cinema-umbro/
https://europawire.es/press-releases-tagged-with/il-festival-del-trasimeno-blues/
https://europawire.es/press-releases-tagged-with/il-patrimonio-culturale-e-naturale/
https://europawire.es/press-releases-tagged-with/il-progetto-della-visualcam-aps/
https://europawire.es/press-releases-tagged-with/la-ballata-del-trasimeno/
https://europawire.es/press-releases-tagged-with/lago-trasimeno/
https://europawire.es/press-releases-tagged-with/massimiliano-varrese/
https://europawire.es/press-releases-tagged-with/mauro-magrini/
https://europawire.es/press-releases-tagged-with/mediometraggio/
https://europawire.es/press-releases-tagged-with/mini-serie/
https://europawire.es/press-releases-tagged-with/naturale-patrimonio/
https://europawire.es/press-releases-tagged-with/nexis-productions/
https://europawire.es/press-releases-tagged-with/perugia/
https://europawire.es/press-releases-tagged-with/simona-meloni/
https://europawire.es/press-releases-tagged-with/trasimeno/
https://europawire.es/press-releases-tagged-with/umbria/
https://europawire.es/press-releases-tagged-with/unione-dei-comuni-del-trasimeno/
https://europawire.es/press-releases-tagged-with/visualcam-aps/

Google: https://www.google.com/search?hl=en&noj=1
Google News: https://www.google.com/search?q=
Bing News: https://www.bing.com/news/search?q=…
Apple News:
(To view this channel, open the link on an iPhone or iPad with iOS 9 or later or a Mac with macOS 10.14 or later and Apple News)
https://apple.news/TgIdasElxRICK2SON_8eNPw
Yahoo Search: http://search.yahoo.com/search?…
Bing Search: http://www.bing.com/search?…
Blogosphere: http://www.blogsearchengine.org/search.html?cx=
Twitter: https://twitter.com/europawire

Facebook: https://www.facebook.com/EuropaWire

Instagram: N/A
G+ https://plus.google.com/+EuropaWire

Google+ (Google Plus) social network has been discontinued for consumers as of April 2, 2019

Pinterest: https://www.pinterest.com/europawire

https://www.pinterest.com/europawire/entertainment/
https://www.pinterest.com/europawire/media/
https://www.pinterest.com/europawire/society/
https://www.pinterest.com/pin/399413060722747780
https://www.pinterest.com/pin/399413060722747785
https://www.pinterest.com/pin/399413060722747788

Flipboard: https://flipboard.com/@europawire

https://flipboard.com/@europawire/europawire-t5lr53afy
https://flipboard.com/@europawire/entertainment-hkhsevd6y
https://flipboard.com/@europawire/media-snl3k1aky
https://flipboard.com/@europawire/society-g6ovoh9cy

crunchbase: https://www.crunchbase.com/organization/bella-umbria
https://www.crunchbase.com/person/charles-d-alberto
Paper.li: https://paper.li/e-1431004197
EPR NEWS SITE: .
N/A
.
WHO DID WE TARGET…
Countries, markets, verticals, audiences, interests, industries, categories, keywords, tags, etc.
Countries: Italy (EU)

Language: Italian
Regions, Metros, DMAs, Cities, Towns, etc.: N/A
Industries: Entertainment, Media, Society, etc.
Markets / Verticals: Culturale Patrimonio, Film Festival, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Perugia, Umbria, etc.
Audiences: Internet, search engines and social media users living/residing in Italy (EU) using Italian language and with identified interests like Entertainment, Media, Society, Culturale Patrimonio, Film Festival, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Perugia, Umbria, etc.
Age: N/A
Gender: All
Interests: Entertainment, Media, Society, Culturale Patrimonio, Film Festival, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Perugia, Umbria, etc.
Categories, Keywords, Tags: Entertainment, Media, Society, Arianna Fiandrini, AS Capital Inc., Charles D’Alberto, culturale patrimonio, Film Festival, il cinema umbro, il Festival del Trasimeno Blues, il patrimonio culturale e naturale, il progetto della Visualcam APS, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Massimiliano Varrese, Mauro Magrini, mediometraggio, mini serie, naturale patrimonio, Nexis Productions, Perugia, Simona Meloni, Trasimeno, Umbria, Unione dei Comuni del Trasimeno, Visualcam APS, etc.
Platforms: Desktop, mobile
WHO DID WE REACH OUT TO…
Total targeted reach, social media reach, followers, subscribers, etc.
Total generic reach: 19,017 people (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Total generic video views: 0 people (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Total targeted reach: 37,306 people (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Total targeted video views: 0 people (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Total reach:
(generic + targeted)
56,323 people (Mar 6, 2025 – Mar 16, 2025 ~ 11 days)
Cost per PR total reach: €0.0053
Who did we reach: 37,306+ internet, search engines and social media users living/residing in Italy (EU) using Italian language and with identified interests like Entertainment, Media, Society, Culturale Patrimonio, Film Festival, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Perugia, Umbria, etc.
Combined number of followers the PR reached out to:
(Twitter, FB, G+, incl. re-tweets, likes, shares, etc.)
12,533
Cost per follower reach: €0.023
High profile European influencers reached: 200+

(European/EU politicians, policy makers, government leaders, environmentalists, industrialists, bankers, financiers, c-level execs, top-level managers, professionals, consultants, analysts, investors, high networth individuals, etc.)
Cost per influencer reach: €1.495
Related accounts reached out with your PR message:
(This may also include entities, individuals, accounts, etc. associated with your press release)

FESTIVAL DEL TRASIMENO BLUES

x.com/trasimenoblues (X)
facebook.com/TrasimenoBlues (FB)
youtube.com/user/TrasimenoBlues (YT)

UMBRIA TOURISM

x.com/umbriatourism (X)
facebook.com/umbriatourism (FB)
instagram.com/umbriatourism/ (IG)
youtube.com/user/Umbriatourism (YT)
tiktok.com/@umbriatourism (TT)

NEXIS PRODUCTIONS

youtube.com/channel/UCJn088rgtGw7Dp8hNPxnj1g

CHARLES D’ALBERTO

instagram.com/charles_dalberto/
linkedin.com/in/charles-d-alberto-5aaa0a6/

SIMONA MELONI

facebook.com/SimonaMeloniUmbria/
facebook.com/simona.meloni.12
instagram.com/simona_meloni10/

UNIONE DEI COMUNI DEL TRASIMENO

facebook.com/Unione-dei-Comuni-del-Trasimeno-396871397443225

VISUALCAM APS

facebook.com/visualcamassociazioneculturale
youtube.com/channel/UCvddlDEE4vYmULKJ-H_4FTw
instagram.com/ass.cult.visualcam/

ARIANNA FIANDRINI

instagram.com/ariannafiandrini/?hl=en
facebook.com/arianna.fiandrini
facebook.com/arianna.fiandrini.9

MAURO MAGRINI

facebook.com/mauro.magrini.10

MASSIMILIANO VARRESE

facebook.com/massimilianovarrese
instagram.com/massimilianovarrese/?hl=en

MANUEL MAGRINI

facebook.com/ManuelMagriniPianistComposer/
instagram.com/manuel_magrini

Relevant entities, media outlets, editorial desks, journalists, bloggers, influencers, social media accounts, etc. reached out with your PR message:

// ART, CULTURE, THEATERS, ETC.

ITALIAN LANGUAGE MARKETS (EUROPE)

Arte.it

arte.it
facebook.com/Arte.it
twitter.com/arteit
instagram.com/arte.it/
artribune.com/)

facebook.com/artribune
twitter.com/artribune
instagram.com/artribune/

Flash Art Italia

flash–art.it
facebook.com/flashartint
twitter.com/FlashArtOnWeb
instagram.com/flashartitalia/

Exibart

exibart.com
facebook.com/exibart
twitter.com/exibart
instagram.com/exibart

Artribune

facebook.com/artribune
twitter.com/artribune
instagram.com/artribune/
linkedin.com/company/artribune
youtube.com/user/ArtribuneTV

Arte Magazine

artemagazine.it
facebook.com/artemagazine
twitter.com/artemagazine
instagram.com/artemagazine/

ArtEconomy24

ilsole24ore.com/sez/arteconomy
facebook.com/ilsole24ore
twitter.com/sole24ore
linkedin.com/company/il-sole-24-ore
instagram.com/ilsole24ore

ArteGo

artego.it
facebook.com/artego.it
instagram.com/artego.it/

Arte.it Napoli

arte.it/napoli
facebook.com/Arte.it
twitter.com/arteit
instagram.com/arte.it/

Arte.it Roma

arte.it/roma
facebook.com/Arte.it
twitter.com/arteit
instagram.com/arte.it

Artwave

artwave.it
facebook.com/artwave
twitter.com/artwave_it
instagram.com/artwave_it

Il Giornale dell’Arte

ilgiornaledellarte.com
facebook.com/ilgiornaledellarte
twitter.com/GiornaleArte
instagram.com/ilgiornaledellarte/

Arte.it Firenze

arte.it/firenze
facebook.com/Arte.it
twitter.com/arteit
instagram.com/arte.it/

Arte.it Venezia

arte.it/venezia
facebook.com/Arte.it
twitter.com/arteit
instagram.com/arte.it/

Cultweek

cultweek.com
facebook.com/cultweek
twitter.com/cultweek
instagram.com/cultweek/

// ENTERTAINMENT / TV / MEDIA, ETC.

ITALIAN LANGUAGE MARKETS (EUROPE)

Rolling Stone Italia
Wired Italia
Movieplayer.it
ComingSoon.it
BadTaste.it
ScreenWeek.it
Cinecittà News
Il Cineocchio
Film.it
The Submarine
Rockol.it
Giornale della Musica

rollingstone.it
@rollingstoneitalia (IG)
@rollingstoneitalia (FB)
@rollingstoneita
@rolling-stone-italia (IN)
@channel/UCt9Q9JTC-ieDLvQOveX5mNw (YT)
wired.it
@wireditalia (FB)
@wireditalia
@wireditalia (IG)
@wireditalia (P)
@user/wireditalia (YT)
@wireditalia (TT)
@wired-italia (IN)
Movieplayer.it
movieplayer.it
@movieplayer.it (FB)
@movieplayer_it
@movieplayerit (TWITCH)
@movieplayer_it (IG)
@Movieplayerit (YT)
comingsoon.it
@comingsoon.it (FB)
@comingsoonit/
@comingsoon_it (IG)
@user/ComingSoonTube (YT)
badtaste.it
@badtasteit (FB)
@badtasteit (TT)
@badtasteit
@@badtasteit (YT)
@badtasteit (IG)
screenweek.it
@screenweek (P)
cinecittanews.it
@cinecittanews (IG)
@CinecittaNews (FB)
ilcineocchio.it
@IlCineocchioNews (FB)
@ilcineocchio
@il_cineocchio (IG)
@il_cineocchio (TT)
film.it
@www.FILM.it (FB)
@wwwFILMit
thesubmarine.it
rockol.it
@user/rockolvideo (YT)
@rockol.it (IG)
@rockol
@rockol (IN)
giornaledellamusica.it
@ilgiornaledellamusica (FB)
@giornale_della_musica (IG)



(When targeting is too broad — too many countries, audiences, industries and markets are sought after — while the PR budget allocated does not provide the necessary reach and duration of the PR distribution campaign, it becomes nearly impossible to identify the relevant entities to reach out to with your PR message.)

WHO ENGAGED…
PR title views and displays, PR reads, engagements, social media insights, analytics and metrics, mentions, interactions, likes, tweets/retweets, General Shareholders Meeting, Annual Report, Financial Statements, comments, replies, etc.
PR title views/displays:
(generic + targeted)
56,323+ people
PR video views:
(generic + targeted)
0 people
Cost per PR title view: €0.0053
Cost per PR video view: €0.00
PR total reads: 679* precisely targeted people read*** your press release
(Mar 6, 2025 – Mar 16, 2025 ~ 11 days**)

* The total PR reads number above is not final. It only covers the observed period for the PR distribution report, which is the active period of your PR campaign, which on itself depends on the PR distribution budget employed. The total number of people who will read your press release is highly likely to increase over time as your press release matures online and becomes more visible in the search engines, the blogoshpere and the social media space as well. Frequent updates are however only done during the active period of your PR distribution campaign, which is correlated to the PR distribution budget you’ve chosen and may be anything between one week and 30+ days with larger PR distribution budgets used. Further updates on this PR distribution report beyond the PR campaign period may be done on an irregular basis. If such an update is made on your PR distribution report in the future, EuropaWire will send a notification on the email address associated with this account.

** The observed period for the PR distribution report is tied up with the PR distribution budget used and covers the active period of your PR distribution campaign. The larger the PR distribution budget the longer both the PR distribution campaign and the observed period covered by your PR distribution report.

*** Read definition: For the sake of the metrics the read is considered and only counted as such, if the following conditions are met: 1) The press release page has fully been loaded in the browser and the time spent on the page by the visitor is at least 30 seconds; 2) An IP address is only counted once per 24 hours regardless how many times the same IP returned on the press release content; 3) Press release content viewed on social media sites do count as reads if and only when there are clear engagements (e.g. likes/loves, General Shareholders Meeting, Annual Report, Financial Statements, tweets, re-tweets, etc.) reported by the respective social media accounts’ metrics and we have an access to and control over those accounts the event/engagement happened on in order to confirm/vitrify; 4) PR title viewed as well as PR title + excerpts viewed, either on the site or on social media accounts and third party sites and places, do NOT count as reads for the purpose of this report; 5) In general and by default press release reads are always more than what we can duly report in our press release distribution reports as we CANNOT gather data for press release content views, reads, General Shareholders Meeting, Annual Report, Financial Statements, mentions, references, etc., on third party sites, social media accounts, private emails and communications (messengers, etc.) that are beyond our control and we have no access to their analytics and metrics; 6) Press release title and content, either partly or in its entirety, displayed, or served to viewers in the form of impressions, either on site, on third party sites or on social media, are not included in the metrics of this report as qualified reads, as we cannot tell how many of those displays/impressions can really be considered as qualified reads (e.g. no reliable data on how long the viewer engaged with the PR content AND/OR not sure whether the viewer was actually interested in what was displayed to her/him). However, it is realistic to assume certain amount of those displays and impressions can also be considered as qualified reads for the metrics of this report. We however, cannot report how many of them qualify as real reads of the press release, hence, do not have them included in this report; 7) And in general all views and reads, having occurred on sites, places and accounts we were not made aware of upon the closure of this PR distribution report are NOT counted and included in as reads; 8) Bots, in any form, type and shape, are by default excluded from the metrics of this report, whenever detected, known and possible.
Cost per PR read: €0.44
PR title views / PR reads ratio: 1.20%
Who read*** your press release: 679 precisely targeted individuals living/residing in Italy (EU) that speak/read Italian and are interested in and like Entertainment, Media, Society, Culturale Patrimonio, Film Festival, La Ballata del Trasimeno, Lago Trasimeno, Trasimene, Perugia, Umbria, etc.



*** Read definition: For the sake of the metrics the read is considered and only counted as such, if the following conditions are met: 1) The press release page has fully been loaded in the browser and the time spent on the page by the visitor is at least 30 seconds; 2) An IP address is only counted once per 24 hours regardless how many times the same IP returned on the press release content; 3) Press release content viewed on social media sites do count as reads if and only when there are clear engagements (e.g. likes/loves, General Shareholders Meeting, Annual Report, Financial Statements, tweets, re-tweets, etc.) reported by the respective social media accounts’ metrics and we have an access to and control over those accounts the event/engagement happened on in order to confirm/vitrify; 4) PR title viewed as well as PR title + excerpts viewed, either on the site or on social media accounts and third party sites and places, do NOT count as reads for the purpose of this report; 5) In general and by default press release reads are always more than what we can duly report in our press release distribution reports as we CANNOT gather data for press release content views, reads, General Shareholders Meeting, Annual Report, Financial Statements, mentions, references, etc., on third party sites, social media accounts, private emails and communications (messengers, etc.) that are beyond our control and we have no access to their analytics and metrics; 6) Press release title and content, either partly or in its entirety, displayed, or served to viewers in the form of impressions, either on site, on third party sites or on social media, are not included in the metrics of this report as qualified reads, as we cannot tell how many of those displays/impressions can really be considered as qualified reads (e.g. no reliable data on how long the viewer engaged with the PR content AND/OR not sure whether the viewer was actually interested in what was displayed to her/him). However, it is realistic to assume certain amount of those displays and impressions can also be considered as qualified reads for the metrics of this report. We however, cannot report how many of them qualify as real reads of the press release, hence, do not have them included in this report; 7) And in general all views and reads, having occurred on sites, places and accounts we were not made aware of upon the closure of this PR distribution report are NOT counted and included in as reads; 8) Bots, in any form, type and shape, are by default excluded from the metrics of this report, whenever detected, known and possible.

PR shares: 8
PR likes: 111
PR G+: N/A
PR LinkedIn: 0
PR tweets/re-tweets/likes: 119
PR Pinterest: 3
PR Flipboard: 4
PR reactions / comments:
EuropaWire, Search engines, news, Blogosphere, social media, etc.
0

* Please note that PR reactions and comments may happen way beyond the initial active PR distribution campaign period, which is covered by the current PR distribution report and such PR reactions and comments, if any, may be included in future updates on this PR distribution report.
PR mentions:
Third party mentions online as a result of your press release on EuropaWire.
0

* Please note that PR mentions may happen way beyond the initial active PR distribution campaign period, which is covered by the current PR distribution report and such PR mentions, if any, may be included in future updates on this PR distribution report.
INSIGHTS…
PR insights, analyses, rates, averages, conclusions, etc.
Budget vs. target:
Reads vs. target:
Engagement vs. target:
Reach vs. budget:
Reads vs. budget:
Engagement vs. budget:
Reads vs. reach:
Engagement vs. reads:
Engagement vs. reach:
Language vs. target:
Reads vs. language:
Engagement vs. language:
Title vs. audience:
Title vs. target:
Reads vs. title:
EXTEND…
Extend PR distribution campaing to increase reach and engagement, etc.
Extend PR campaign & reach: Based on the PR distribution budget you choose from below, we’ll extend your existing PR distribution campaign for the same press release by using the same settings, preferences, targeting options, etc. The larger the PR distribution budget the longer both the PR distribution campaign and the observed period covered by your PR distribution report.



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GENERAL NOTES:

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Editorial Staff
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